My Father's Portrait
2007
embroidery
292 x 147 cm
The Road To ...
2009
acrylic on canvas
200 x 153 cm each (4 panels)
Pressure and Pleasure
1999
military tent, acrylic on cinema, advertisement banners, iron constructions, lamps, pillow, folding bed
500 x 250 x 350 cm
Under Estimate
1999
cardboard and paint
300 x 500 x 50 cm
Sulu Stories Series: The Ch'i-lin of Calauit
2005
digital photographic print on Kodak professional paper
61 x 61, edition 1 of 8

Group Exhibition

Featuring: Agus Suwage, Apotik Komik, Eko Nugroho, Kamin Lertchaiprasert, Montien Boonma, Natee Utarit, Phuan Thai Meng, Sanggawa Group, Simryn Gill, Sutee Kunavichayanont, Utai Nopsiri, Wong Hoy Cheong, and Yee I-Lann

A Private Collection

05 Sept - 19 Sept 2010

A Private Collection is a showcase of significant large-scale Southeast Asian contemporary works collected over the last 20 years.

A Private Collection was a significant exhibition that publicly presented a curated selection of works from Valentine Willie’s personal collection, accumulated over a decade of operating his gallery. Staged at the Tanjong Pagar Distripark (ArtSpace@Helutrans) during the 2010 Singapore Art Circuit, the show functioned as both a legacy statement and a survey of the Southeast Asian contemporary movement that the gallery had championed since its inception in 1996.

The exhibition moved beyond the commercial mandate of the gallery to offer a “collector’s eye” view of the region’s artistic evolution. By featuring key figures from Indonesia (Agus Suwage, Eko Nugroho, and the Apotik Komik collective), Thailand (Montien Boonma, Kamin Lertchaiprasert, and Natee Utarit), and the Philippines (Sanggawa Group), the presentation mapped out a regional identity defined by social critique, political activism, and the interrogation of traditional versus modern values.

For the Malaysian and Singaporean context, the inclusion of Wong Hoy Cheong, Yee I-Lann, Simryn Gill, and Phuan Thai Meng highlighted a shared regional psyche preoccupied with migration, historical archives, and the shifting urban landscape. Rather than a thematic group show, the exhibition was an intellectual autobiography of the collector, reflecting a commitment to artists whose works act as critical mirrors to the post-colonial and globalizing realities of the Malay Archipelago and its neighbors. This presentation solidified the “VWFA idea”—the belief in Southeast Asia as a cohesive and vital site of intellectual and aesthetic exchange.

My Father's Portrait
embroidery
292 x 147 cm
2007
The Road To ...
acrylic on canvas
200 x 153 cm each (4 panels)
2009
Pressure and Pleasure
military tent, acrylic on cinema, advertisement banners, iron constructions, lamps, pillow, folding bed
500 x 250 x 350 cm
1999
Under Estimate
cardboard and paint
300 x 500 x 50 cm
1999
Sulu Stories Series: The Ch'i-lin of Calauit
digital photographic print on Kodak professional paper
61 x 61, edition 1 of 8
2005