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Manit Sriwanichpoom
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Manit Sriwanichpoom’s (b.1961, Bangkok) Pink Man was originally conceived before the Asian economic crisis of 1997. He has now become a recognizable fixture, a neon light on the contemporary art landscape. Manit photographs Pink Man in his fluorescent pink suit (played by artist-poet Sompong Thawee) as he wanders the streets of Bangkok, voracious with his matching pink shopping cart or pink balloons. But there is also Golfing Pink Man, Socialist Pink Man, Pink Man the Siamese Intellectual and most recently, Pink Man in Paradise—looking somewhat lost and diminished in post-bombing Bali. Arguably Manit’s most distinctive creation, Pink Man turns an ironic, cheeky yet potent gaze upon a global society obsessed with material consumption. His earlier works have been in much the same vein, presenting us with images that contradict and rebuke the perceived economic growth and subsequent wealth of developing Asian nations. The artist is very much acclaimed internationally—he participated in the 50th Venice Biennale (2003) and was included in Blink 2002, a showcasing of 100 of the world’s most exciting contemporary photographers.
 
 
 
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